#7 (1996)

01/01/1996 (NL) • • 32m

Overview

Essentially a slow evolution from black to white, this film is an articulation of the old idea of Aristotle's that colours arise from the clash between light and dark. The colours of #7 are based on the opposition of pigment and light, and are all produced by stamping paint directly onto the negative.

#7 (1996)

01/01/1996 (NL) • 32m

Overview

Essentially a slow evolution from black to white, this film is an articulation of the old idea of Aristotle's that colours arise from the clash between light and dark. The colours of #7 are based on the opposition of pigment and light, and are all produced by stamping paint directly onto the negative.

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Status

Released

Original Language

Budget

-

Revenue

-

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