Here, the camera goes into a dance, accelerates, becomes ornamental. This is not to catch something in a quiant dynamic composition but to realize itself as part of action.
Maksim Maksimych (1995)
01/01/1995 (RU) • 20m
Music
Overview
Here, the camera goes into a dance, accelerates, becomes ornamental. This is not to catch something in a quiant dynamic composition but to realize itself as part of action.